ant to be had proved his skill time and time again with a run of straight up excellence on knitebreed records. he has also slowly and surely walked towards the darker, and more jungle techno oriented sound. on the cinematography ep, he embraces that sound in full, with driving bass and deep atmospherics, all perfectly blended with his trademark crystal clean production and above all, dancefloor destroying beats….

three bass heavy cuts from perko, n-vert and dj i.d.

idris rahman (sax), leon brichard (bass) and tom skinner (drums) are wildflower.

original and 11 new remixes of the cult classic on random coloured double vinyl.

second breaks ’n’ pieces with tracks from highrise, dj sunroof, bartholomew kind, nicolas duque, reynes and djmc. watch your bass bins!

incl. bum jump / tushy mix.. pressed on 180 g vinyl, uk garage

fabric presents: chase & status !

celebrating 25 years of hardcore junglist drum and bass

celebrating 25 years of hardcore junglist drum and bass

for michigander s fifth release, brian kage delivers four solid dance-floor fillers, each infused with a unique blend of melodic detroit soul, intelligent acid and perfectly mixed percussion. each offering teleports the listener into a future where social distancing has finally abated and celebration can commence. lockdown starts the record off with undulating 303 bass notes that groove around in a circular arpeggiated formation until hypnotic 909 percussion breaks through with echoing claps and weaves together a tale of futuristic tension building. hold on pain ends features a stabbing analog synth-line that repeats a half-beat phrasing contrasted with slamming technical percussion, a heavy kick and a lush pad that is perfect for late nights in a warehouse. that woman from michigan contains gentle swinging upbeat percussion and deep soothing chords with samples of governor whitmer asking all michiganders to do their part and join together in solidarity. a subtly modulating acid line builds tension into a perfectly resonating crescendo. f.u covid19 - an ominous swelling pad rips across the dystopian horizon as swinging rimshots build around a deep pulsing kick and a dirty mono synth swirl. echoing vocal samples punctuate this acidic frenzy until the tension falls away giving dancers an opportunity to catch their breath before the next round of infectious rhythmic groove forces the hypnotic spell to intensify.

bass music

90s flavoured drum and bass

file under dubstep , bass

known for fusing traditional asian sounds into the experimental clubbing field, howie lee pushes the boundaries in order to access a broader sound palette. styles and elements are always mixed ingeniously tibetan chanting, middle-eastern zurna, syncopated drums, deep and modern bass, buoyant jazz chords - its difficult to know what to expect. co-founder of the do hits label, howie lee has made his mark globally with futuristic productions on labels such as svbkvlt, alpha pup records, trap door and more.

boston edit fiend kon returns with his gang in tow for some more stone cold funk to make you groove... needless to say - this one slaps in all the right ways! aided and abetted by his long time engineer caserta and featuring the dope musicianship of soul supreme on keys and xander vrienten on bass, kon brings us the boogie love, reimagining a jam from one of buffalo s most famous sons. this has summer jam written all over it, we re talking chasm deep bass, snapping drums and the illest rhodes you ve heard for a minute. oh yeah, there s a dub on the flip too.... essential. welcome back kon & the gang!

darkside drum n bass, ardcore soundsystem techno and dark ambient-

paul bley, piano, steve swallow, bass, barry altschul, percussion

basaec is the label founded by cadenza chief luciano as an output for the music of its roots, coming from the chilean prosperous archives or from brand new productions. the fourth episode of the series features two extended fleshy cuts of thick dance floor nourishment. -nature reverance- is a grandiloquent obscure hypnotic journey to the center of the earth, permeated of bass frequencies and jazzy drums, exalted by a slithering capturing leslied organ. less inward-looking but still thousands leagues under the sea, -trance ilvana- has a shuffled prancing rhythm over an ultra funky stripped down bass line, its swooshes and its drops of juicy synthetic quirks sticks smoothly with its driving bass drum. a generous condensation of timeless electronic funk, and a kaleidoscope of lucien nicolet early allure, hard coded in his dna.

repress 2020, purveyor of fine disco grooves and future funk, ron basejam, returns to futureboogie with the bustling 5 track ep, after the rain. having already contributed some key releases and remixes to the label, from his 2016 collaboration with neil diablo, his first class remix of the white lamps its you to his stellar productions as part of crazy p, basejam gets right down to business across all five cuts. rhodes keys glide over soulful vocals and a frenetic percussive workout on after the rain as elegant soaring strings lift the atmosphere perfectly. a raw and stripped back bass and drum funkfest shapes the french exit, whilst on raise, a heavy synth riff breaks out over tom-laden beats and uplifting vox. the quality never drops as further excursions into soulful street vibes are dished out across jacobs chair and the positively energetic euphoria of after the sun. an ep packed with many different shades of ron basejams continually on point productions, this is a must for lovers of the boogie!

repress - stalwart of the scene, craig bratley, serves up big italo flavours all over the 99.9% ep, ably backed with a remix from mr. andrew weatherall. with previous releases on neil diablos to rack & ruin, tsuba, is it balearic? and robsoul recordings, bratleys futureboogie debut opens with the searing synths and chugging arped bass of 99.9%. wide-eyed melodies and punchy drums demand a mirror ball moment to this fabulous cut. family favourite, andrew weatherall, takes the chugging tempo to new depths, remolding 99.9% into a tense, reverb soaked, dubbed out sci-fi encounter. further explorations into space disco are to be found on italo love with luscious waves of thick analogue sound and planetary fx, whilst on take me to bedford or lose me forever, distinct asian influences are at play, as bratley channels his inner vangelis for a mesmerizing and cinematic piece.

a berlin based collective of music aficionados launch a limited and lovely 7inch platform for club-ready flipped classics. simple, effective floor food for all moods...tip

incl remixes by marcel dettmann, barnt, bejenec, mashkov, inga mauer

bass infused techno

pressed on 140 gram vinyl

mit tracks von minimal house über breakbeat bis hin zu drum and bass.

celebrating 25 years of hardcore junglist drum and bass

pfirter with an energy driven 5-tracker on andre kronerts odd even. pfiters lockstep drum patterns construct a hypnotic tale that reverberates with intense metallic synths into an expansive dark room sound with the endless ep. through my window starts with hollow syncopated bass driven by steady kicks. the low end and tight rhythm cause the synth pads to gasp for air in last breath. the repetitive chord stabs through the discordant ambiences while the percussion rumbles on with endless. certain is an expansive techno track that churns with machine-like precision. the chaotic synths and modulated metallic sounds hold ground with the hard kicks in release.

great deep house various artists ep incl. aleqs notal , meftah, taelue, afrikan sciences

joz from marseille has successfully find his way between different styles to create his very own sound.

coco bryce summons his chavinsky alias for a bass-heavy mystical journey through garage, house and 2-step with a sublime 5 track ep for distant horizons.

new label breaks n pieces drops some proper heavy ukg, breakbeat, bass & club fodder.

techno, breakbeat and bass music

with picture sleeve

remastered acid masterpiece, ltd max 1 per customer

from140, bass, dubstep, experimental to footwork

from bass , breakbeat to hardcore

drum and bass meets crosstown rebels

slamming trippin bass / uk garage

2020 repress on black vinyl.

trackmaster dre ode to the traditional squelching acid melting listful old school beats with grandmaster acid. the record contains decelerated beats married with laidback, thick and bubbly bass. the title track starts off as a raw and elastic dance floor mover, with a chamfer like 303 bassline that smooths out rougher edges. blockhead deuce is a simplistic track with shuffling drums that play with an impish bassline that squawks and squelches. old school viscid synths and bass keep an aloof feel with the progression in 4th.

creativity lies in various artistic factors based mainly on commitment and maturity that is acquired with it, each project is a decision that is forged with a cold mind and requires to be conceived at the right time, a waiting time between projection and execution, this is what presents us with dorhg on his new label atroc records, where he opens a catalog with the remixes of kalter ende & sarf, a 180g and twelve inches ltd vinyl, entitled “fixing process“. the path taken by dorhg with fixing process reveals his experience and vocation for dynamic, rhythmic, deep and syncopated structures, through icy and mental sequences, without leaving aside the physical and direct in his message. melting is the track that opens the release, it is bent to a deep bass sequence that reiterates its presence without variation, and although it acts as the central axis of the track, it is the percussive elements that are annexed in the background that give a certain energetic charge. indistinctly to the original version, kalter ende refuses to maintain this bass line and leads us to another character more dense and textured in his adaptation, but preserving the rhythmic nerve. coalescence occupies the b-side. with the original, dorhg repeats the formula in terms of intensity, this time it is different components that alternate protagonism in a linear work loaded with particles that go from maximum excitement to calm. on the other hand, sarf creates with his remix a solid, direct techno piece with several ingredients operating in a loop and a deep textured mattress that gradually varies in intensity.

limited & numbered edition of 1000 copies on clear double vinyl for rsd 2019. .. nice price

5 tracks from house to bass

breakbeat edits and sublime sub bass

this toronto based artist shows he masters the art of creating solid bass drums percussion, groovy baselines, keyboard and string lines that build up into perfect musical architecture that will rock any dance floor in the globe.

dark techno and bass

anselmo & benjamin deliver an ep with sexcation that follows the minimalist attitude that defines their sound, made up of groovy bass lines and samples that create an electric atmosphere that makes the dance-floor shake. on the remixes, furz lets his remix -clouds- of the track rain vibrate playfully. the ep is rounded off by montreal-based chicago artist billy dalessandro, who does an impressive nighttime remix of air.

various creatures of the native flora and fauna are interpreted musically on dominik eulbergs label apus apus. the music pieces are thoughtfully presented with 2 tracks per ep. his first ep features the track bienenfresser (eng. bee-eater) on the a side and blauracke (engl. blue roller) on the flip side. the bee-eater is the most colorful bird of our native lands a quality which is echoed through the piece of the same name. the composition oscillates from one color into another without losing its significant habitus. it is a musical journey through the color scheme of the bee-eater, through which dominik eulberg takes us by way of his iconic style. he succeeds at a striking balancing act between sensitive subtlety and steady pressure, in order to offer us a satisfying share of hedonism. it is a piece of music that provides an intimate listening experience, while simultaneously supplying listeners with a collective, mobilizing anthem. the long introduction of the track emulates the agile flight for prey of the dazzling bird, but then it fervently taps out the stinger of the captured bee, and finally nothing can stand in the way of the massiveness of the celebratory bass drum. intrepid, yet with a high degree of ataraxia, dominik leads us through the skies on an expedition into the colorful land of the bee-eater. the magnificent turquoise blue plumage of the blue roller glimmers green or blue, depending on the quality of light. these colors, translated into worlds of sound, are reflected in this piece of the same name. sparkling melodies intertwine gracefully along musical chains, and create a constant redefinition of the theme. the piece is inviting and catchy in the typical eulbergian manner submerging into the auditory tract and manifesting itself with much elegy in the deepest cortex. the blue roller is a sit-and-wait hunter at first occupied with idleness, until finally capturing its anticipated prey. this imperturbable serenity is felt in this piece of music and illustrates eulberg s many years of knowledge and experience. he steers his audiences through the true essence of music, while always keeping both hands firmly on the wheel.